Florence Pugh reveals she ‘abused’ herself to get into character for Midsommar
2 min read
English actress Florence has revealed that she abused herself to get into character for Ari Aster’s 2019 horror thriller Midsommar. Whereas talking on the Off Menu podcast, Pugh mentioned that she put herself in tough conditions to painting her character’s emotional ache. The content material of the movie grew to become more and more difficult with every day of capturing, and the actress admitted that she needed to think about and create a bleak and disturbing mindset to attain the specified efficiency. She mentioned, “Once I did it, I used to be so wrapped up in her, and I’ve by no means had this ever earlier than with any of my characters. I’d by no means performed somebody that was in that a lot ache earlier than. And I might put myself in actually shi**y conditions that perhaps different actors don’t must do, however I might simply be imagining the worst issues.”
She added, “I used to be placing issues in my head that have been getting worse and extra bleak. I feel, by the top, I in all probability, most positively, abused my very own self so as to get that efficiency.”
Midsommar tells the story of a gaggle of American buddies who journey to a distant Swedish village to attend a midsummer pageant. Nevertheless, the pageant quickly takes a darkish flip because the group turns into concerned in a disturbing pagan cult ritual that includes human sacrifice and ritualistic suicide.
The movie explores themes of grief, trauma, and the human psyche, as the principle character Dani (Pugh) is coping with the aftermath of a household tragedy and struggles to seek out emotional assist from her distant boyfriend. The cult’s disturbing rituals and symbolism function a metaphor for the best way people deal with loss and trauma, and the lengths they’re keen to go to discover a sense of belonging and function.
The darkness of the movie is mirrored in its graphic violence and unsettling imagery, in addition to the psychological horror of the characters’ experiences.
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